{"id":2254,"date":"2024-07-12T17:01:22","date_gmt":"2024-07-12T17:01:22","guid":{"rendered":"https:\/\/departamento.us.es\/newhtcaetsa\/the-monastic-system-as-builder-of-european-medium-sized-cities-genesis-exchanges-transformations-and-heritage-copy\/"},"modified":"2025-12-12T09:13:21","modified_gmt":"2025-12-12T09:13:21","slug":"el-patrimonio-industrial-de-roma-en-el-siglo-xxi-el-papel-de-las-artes-en-las-practicas-de-regeneracion-arquitectonica-y-urbana","status":"publish","type":"post","link":"https:\/\/departamento.us.es\/htcaetsa\/el-patrimonio-industrial-de-roma-en-el-siglo-xxi-el-papel-de-las-artes-en-las-practicas-de-regeneracion-arquitectonica-y-urbana\/","title":{"rendered":"El patrimonio industrial de Roma en el siglo XXI. El papel de las artes en las pr\u00e1cticas de regeneraci\u00f3n arquitect\u00f3nica y urbana"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2254\" class=\"elementor elementor-2254\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bb93418 e-flex e-con-boxed e-con e-parent\" data-id=\"bb93418\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-087ab48 e-con-full e-flex e-con e-child\" data-id=\"087ab48\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b73ffa0 elementor-widget elementor-widget-image\" data-id=\"b73ffa0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/departamento.us.es\/htcaetsa\/wp-content\/uploads\/2024\/07\/Confetto_tesis-scaled.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Confetto_tesis\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI1NiwidXJsIjoiaHR0cHM6XC9cL2RlcGFydGFtZW50by51cy5lc1wvaHRjYWV0c2FcL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjRcLzA3XC9Db25mZXR0b190ZXNpcy1zY2FsZWQuanBnIn0%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/departamento.us.es\/htcaetsa\/wp-content\/uploads\/2024\/07\/Confetto_tesis-scaled.jpg\" title=\"Confetto_tesis\" alt=\"Confetto_tesis\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-623a9fb e-con-full e-flex e-con e-child\" data-id=\"623a9fb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b5328ec elementor-widget elementor-widget-text-editor\" data-id=\"b5328ec\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Autor: Confetto, Miriam\u00a0 <\/strong>\u00a0<\/p><p><strong>Director\/es:<\/strong>\u00a0<\/p><ul><li><p>Tejido Jim\u00e9nez, Francisco Javier\u00a0\u00a0<\/p><\/li><li><p>Mu\u00f1oz Heras, Olvido\u00a0<\/p><\/li><li><p>Valentin, Nilda Mar\u00eda\u00a0<\/p><\/li><\/ul><p><strong>Fecha de lectura:<\/strong> 14 de diciembre de 2023\u00a0\u00a0<\/p><p><strong>Universidad:<\/strong> Convenio de cotutela Universidad de Sevilla &#8211; Universit\u00e1 di Roma \u00abLa Sapienza\u00bb<\/p><p><strong>Programa:<\/strong> Doctorado en Arquitectura &#8211; Scuola di dottorato in Scienze dell\u00b4Architettura<\/p><p><strong>IDUS(descarga):<\/strong> <a href=\"https:\/\/idus.us.es\/handle\/11441\/155698\" target=\"_blank\" rel=\"noopener\">https:\/\/idus.us.es\/handle\/11441\/143346<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-873fd0a e-flex e-con-boxed e-con e-parent\" data-id=\"873fd0a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bb60071 e-con-full e-flex e-con e-child\" data-id=\"bb60071\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f68b4f9 elementor-widget elementor-widget-spacer\" data-id=\"f68b4f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4606921 elementor-widget elementor-widget-heading\" data-id=\"4606921\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Resumen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e21158a elementor-widget elementor-widget-text-editor\" data-id=\"e21158a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>El inmenso crecimiento de la ciudad de Roma en los dos \u00faltimos siglos ha dejado tras s\u00ed una importante cantidad de complejos industriales en desuso que se muestran como una constelaci\u00f3n dispersa de zonas grises dentro del tejido urbano y social. En la primera zona industrial, estos fragmentos siguen siendo objeto de un continuo replanteamiento y rehabilitaci\u00f3n por parte de las instituciones, que a lo largo de los a\u00f1os han adoptado metodolog\u00edas alternativas, de una planificaci\u00f3n participativa, con el objetivo com\u00fan de devolver este patrimonio reactivado a la comunidad y responder a sus demandas de espacios p\u00fablicos y culturales. Especialmente en las periferias romanas, donde la calidad arquitect\u00f3nica de los elementos industriales no es su principal valor, estos complejos se convierten en lugares de reescritura del paisaje urbano por parte de una comunidad movida por la voluntad de reivindicar un derecho a la ciudad a veces negado. Al cartografiar las pr\u00e1cticas activas, el concepto de patrimonio se ampl\u00eda desde los aspectos tangibles del elemento f\u00edsico hasta la riqueza intangible de las experiencias generadas en su interior. Estas pr\u00e1cticas no siempre tienen fronteras definidas, se mueven de arriba abajo en un amplio espectro de acciones que van desde la realizaci\u00f3n de grandes obras p\u00fablicas, a veces interrumpidas, pasando por el conflicto generado por diferentes formas de reapropiaci\u00f3n de los espacios, hasta la redenci\u00f3n latente del sistema natural sobre el abandono. Todas estas acciones est\u00e1n atravesadas transversal y transcalarmente por el arte, que no se queda en una mera propuesta de uso, sino que se convierte en motor de la propia regeneraci\u00f3n. Las pr\u00e1cticas estudiadas representan una red en la que los hilos se entrelazan inextricablemente en torno a los nodos del patrimonio industrial; hilos que representan todos aquellos elementos a absorber, suavizar, valorizar y potenciar en el \u00e1mbito de la recuperaci\u00f3n de las preexistencias arquitect\u00f3nicas y urbanas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Autor: Confetto, Miriam\u00a0 \u00a0 Director\/es:\u00a0 Tejido Jim\u00e9nez, Francisco Javier\u00a0\u00a0 Mu\u00f1oz Heras, Olvido\u00a0 Valentin, Nilda Mar\u00eda\u00a0 Fecha de lectura: 14 de diciembre de 2023\u00a0\u00a0 Universidad: Convenio de cotutela Universidad de Sevilla &#8211; Universit\u00e1 di Roma \u00abLa Sapienza\u00bb Programa: Doctorado en Arquitectura &#8211; Scuola di dottorato in Scienze dell\u00b4Architettura IDUS(descarga): https:\/\/idus.us.es\/handle\/11441\/143346 Resumen El inmenso crecimiento de la [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[42],"class_list":["post-2254","post","type-post","status-publish","format-standard","hentry","category-tesis-doctorales","tag-42"],"acf":{"autor":"Confetto, Miriam "},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El patrimonio industrial de Roma en el siglo XXI. El papel de las artes en las pr\u00e1cticas de regeneraci\u00f3n arquitect\u00f3nica y urbana - Departamento de Historia, Teor\u00eda y Composici\u00f3n Arquitect\u00f3nicas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/departamento.us.es\/htcaetsa\/el-patrimonio-industrial-de-roma-en-el-siglo-xxi-el-papel-de-las-artes-en-las-practicas-de-regeneracion-arquitectonica-y-urbana\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El patrimonio industrial de Roma en el siglo XXI. 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